A small story of joy at the end of a dark week in our country.
As some of you know, I build experiences across unused, Class A commercial spaces for one of my clients. My job is to essentially engage, strengthen and connect disparate communities in any given building.
One of the ways we recently achieved this for a particular building in Midtown was by inviting all tenants who had side passions as creators, makers, and artists to exhibit their work in our common space. So an HR manager at a hedge fund brought in her homemade greeting cards, an executive assistant at a law firm brought in his 3D paintings, a front desk associate at a beverage distributor brought in her photographs, and so on. Once we collected and proudly displayed all their work on the walls of our common space, we threw everyone a big Art Party. They could invite their colleagues, friends and family to attend in celebration (and hopefully sell some of that side hustle work too.)
I was particularly struck by a series of prints that appeared to be images of microscopic specimens, so I tracked down the artist. She was unbelievably sweet. Her name is Stephanie, and she’s been a secretary at the same company for nearly 30 years.
I asked her about her work. It turns out they were prints of various recyclable objects found around her desk. For the last three decades, whenever she’d get bored at work, she’d collect discarded staples, trashed packaging straps, and wayward hole punches, and make beautiful pieces of art out of them.
I asked her if she had ever shown her art before. She laughed. These prints had been accumulating under her bed, collecting dust for thirty years. No one had ever seen them before. In fact, she had hundreds and hundreds more where these came from.
I then asked her why she hadn’t shown her art before. She said she didn’t think she was a “real artist.” She said she didn’t think people would like her art. She said she didn’t think she had permission.
So I told her I wanted to buy a piece. Her mouth dropped and stayed open. I changed my mind. I told her I wanted to buy three pieces. She fell to the floor and sobbed. What seemed like a small gesture on my part felt like a tidal wave to her. Later that day, she submitted a few of her pieces online to a contest. And this weekend, her work will be shown publicly for the first time in her life at an art show in Red Hook.
I share this story as a reminder, friends. Please don’t hide your art under your beds. I say that both literally and figuratively. Show your colors to the world. If you’re angry, share your anger. If you’re happy, share your happiness. Enjoy your process. Share your work. Share your passions. Share your story.
This world could afford a little more of your light.
And if you’re interested in purchasing a piece of Stephanie’s, I’ll gladly put you in touch.
Our short film, Montana, based on my Sundance finalist TV pilot of the same name, played film festivals across the country this year, including
The Brooklyn Film Festival in New York, SeriesFest in Denver, and
The Awareness Film Festival in Los Angeles.
Montana will continue to play the festival circuit in the new year, and be available to watch online late Spring 2019. In a surprising but worthwhile development, I’m now hard at work writing the novel adaptation,
the manuscript of which has a target finish of mid Summer 2019.
at The Rainbow Room, The Sofitel, and The Plaza Hotel in NYC
at a private estate in East Hampton
at The High Line Hotel in NYC
at The Marriot Marquis in Times Square
The Phantom Of The Opera 30th Anniversary Celebration,
events for Art Basel Miami and
U.S. News & World Report.
of Better Spaces, a leader in tenant engagement. We’re creating and operating experiential amenity spaces in top commercial real estate portfolios across the country. It’s been an exciting opportunity to bring programming, design and a bit of theatricality to commercial spaces nationwide.
I am most proud of the fact that we employed a record 75 different people on various film and event projects, and are on track to continue growing in 2019 with new experiences and TV projects in development.
On a personal note, this year included a number of new travels,
from Tulum, Mexico to the Cotswolds of England
to Calivigny Island off the coast of Grenada.
2018 will likely be remembered as the year
I officiated my first wedding, moved to Brooklyn, and became an uncle!
Last Summer, smack dab in the middle of my Tony Awards Week, I suddenly found myself in ten interviews, from the Yale Club to the top of 1 World Trade, as the sole candidate for the newly created role of Editor-In-Chief, Experiential across all of Condé Nast’s titles. It was to be the first non-magazine, Editor-In-Chief role in the company’s history. (A role that, for the time being, would two months later become obsolete. But just imagine for a moment my wide eyes and slacked jaw when they told me that the in-house stylist was going to redo my entire wardrobe!)
I’ve had too many major job almosts to count. This one was certainly one of the most fascinating. It was a bananas, super “who me?” experience, and everyone I met with during that period was beyond wonderful and encouraging.
But through this experience and a confluence of other well-timed events, it was the first time in my life, at age 32, when I realized I was worth something. I’m not speaking of monetary value. I’m speaking of human value. Over the course of this wild year, I recognized something so essential: I was a human that was worthy of respect and worthy of love, just like everybody else. Perhaps I always knew that on my skin. But now I knew it deep in my bones. My college mentor told me “You are enough” on graduation day. I guess it took me a decade or so to finally listen.
Maybe it was the years of working some of the most degrading gigs I could find to barely make ends meet. Maybe it was the hundred No’s after auditions and festival submissions and directing program applications that came with every once-in-a-blue-moon Yes. Maybe it all goes back to my at times fanciful, at times miserable childhood. Maybe it was all the other external factors I could name that would ultimately take the responsibility off of looking after myself. “You can’t blame nobody but you,” Janet sang. “I’m starting with the man in the mirror,” Michael sang. Whatever it was, I don’t think I had much self-respect. Not love. “R. E. S. P. E. C. T.” (Aretha SANG.)
After I started to respect myself a little more, that’s when I found love.
After I started to respect my opportunities a little more, that’s when I found strength.
After I started to respect my life a little more, that’s when I found joy.
I’ve been talking to a lot of friends and family lately about Pascal’s Wager. “You might as well believe in God.” I can’t vouch either way for that statement. But I do believe, “You might as well believe in Good.” In this life, you might as well try to be good. You might as well try to feel good. You might as well try to do good. You might as well believe that humanity as a whole has the capacity for good. Every person’s unique circumstances could certainly argue otherwise, and this current administration does nothing to support my claim. But I can choose only how I aim to live. And for me, I think this is a directive worth aiming for.
Social media has become a scientifically proven dust bowl of psychosis, misinformation, and ultra targeted marketing. It’s the ultimate “You are NEVER enough.” Whenever I log on, I see that congratulations are in order for a multitude of things – a big job or promotion, a marriage or a baby. Heck I’ve seen people sincerely congratulate others on finding their light in a grungy bathroom selfie on the Lower East Side.
If you’ve read this far into my meandering, 2 am thoughts, here’s what I want to say to you:
I AM PROUD OF YOU.
Yes, YOU. I am proud of the jobs and the babies, yes. I am also proud of you on just a regular Monday like today. I am proud of you for taking the time to apply to all those jobs. I am proud of you for soldiering on after heartbreak. I am proud of you for busting through barriers on a regular basis. I am proud of you for waking up every morning and charging ahead when the world wants to eat you alive.
I am proud of your optimism. I am proud of your kindness. I am proud of your resilience.
If you ever need a reminder, let me know. You have to remind yourself every day.
2017: Top 10 Highlights
1. MAKING MONTANA
This Fall, I directed a short film called MONTANA, based on a TV pilot script of mine that was a finalist in the 2016 Sundance Episodic Story Lab. With a top notch cast and crew, we completed the film this month. And with the backing of more than 170 incredible supporters, we ran a successful crowdfunding campaign on Seed & Spark, reaching 104% of our goal. Additionally, we partnered up with The American Foundation For Suicide Prevention to use the film as a catalyst for dialogue, support, and education around mental health and suicide prevention. We are currently submitting the film to festivals around the world. If there’s a film festival you love, let us know!
2. THE TONY AWARDS
For this year’s 71st Annual Tony Awards, I directed one of the video segments for the telecast, directed the Nominees Luncheon in the Rainbow Room and Cocktail Reception at the Sofitel Hotel, and co-ran the After Party Gala at the Plaza Hotel. I look forward to returning in 2018!
3. THE NEW YORK FASHION GALA
Celebrating 81 years of service, The 2017 Fashion Scholarship Fund Awards raised $3.5 million dollars at this years gala, which I directed at The Grand Hyatt NYC. The FSF grants the single largest sum of money and total number of scholarships in the entire US. I’ll be returning to direct the 2018 gala, held next month at the Marriot Marquis in the largest ballroom in New York City.
For more on the 2017 gala, visit HERE.
4. THE 4TH ANNUAL ASC SUMMER BENEFIT
In 2013, I helped launch the national tech education non-profit All Star Code. It was an honor to return this year as Creative Director for my 4th consecutive benefit, and ASC’s most successful one yet, raising nearly $850,000 for its incredible programming. All Star Code creates economic opportunity by developing a new generation of black and Latino entrepreneurs who have the tools they need to succeed in technology.
For more on ASC, visit HERE.
5. THE POWER OF PLAY
This year at Fiverr HQ, Boat Ashore Productions launched its first ever workshop series, THE POWER OF PLAY, a unique and engaging on-your-feet experience that helps people access and utilize their two greatest resources when combating fear, fatigue, or frustration: a sense of wonder and their capacity to play. If you’re interested in bringing a POWER OF PLAY workshop to your home or office in 2018, e-mail me at
6. SPICE IT UP!
2017 included a number of exciting, creative explorations, one of which was developing SPICE IT UP!, my TV project with Elspeth Keller Scott, into an interactive, choose-your-own-adventure style series with Warner Music Group and Eko. While we have chosen to continue developing the series in a more traditional format, exploring the interactive and VR landscape was a thrill, and Boat Ashore Productions continues to develop and produce various interactive, immersive, and experiential content.
7. MY FIRST WRITER’S RESIDENCY
This Summer, I spent 10 days on the outskirts of Bar Harbor, Maine participating in my first writer’s residency, The Hamilton Project, courtesy of the Barn Arts Collective. I wrote and workshopped a selection of my new play, THE EXPERIMENT.
8. WIZARD OF LIES/PEOPLE YOU MAY KNOW
Check out my appearances in two films released this year,
THE WIZARD OF LIES (Dir. Barry Levinson – Now streaming on HBO), and
PEOPLE YOU MAY KNOW (Dir. Sherwin Shilati – Now available on
iTunes, Amazon, Google Play, and VOD).
9. NEW TRAVELS
From driving up the Dalmatian Coast of Croatia and jumping off waterfalls in Bosnia and Herzegovina to dancing the night away in the catacombs of a 12th Century abbey outside Paris, 2017 certainly had some of my favorite adventures yet. Stay tuned here, at TheAdventureAddict.com, for more adventures soon.
10. MARCHING ON WASHINGTON
One of 2017’s greatest honors was hitching a ride down to Washington D.C. and participating in the Women’s March. Social engagement and activism have always played an essential role in both my professional and personal work. Going into the new year, may we all continue to march on, lifting up the voices of the few, the minority, the quiet, the oppressed, and the disenfranchised.
Boat Ashore Productions Offers Creative Direction,
Project Management, and Production Services
For Digital Media, Immersive Entertainment, and Large-Scale Events.
SEE YOU IN 2018!
Michael (aka The Adventure Addict) + Boat Ashore Productions